THE RATE CARD
Previsto prices the work, not the seat. Pick the production, pick how far the studio takes it, and the price scales with what actually gets made — every generation quoted before it runs, against a pool with a hard cap.
SCRIPT → SHOT LIST → BOARDS & LOOKS · no video spend
FULL PRODUCTION PRICES AT 720p FINISH · 1080p & 4K QUOTED PER PRODUCTION
1
screenplay in
YOUR PAGES, YOUR STORY
~80
shots, broken down
SETUPS · COVERAGE · LENS LANGUAGE
~150
frames drawn & redrawn
REVISIONS INCLUDED, NOT PENALIZED
~40
hero frames, final style
YOUR REFERENCES GOVERN
~200
directed takes rolled
2–3 PER SHOT · RE-ROLLS BUDGETED
A pre-production this size traditionally runs weeks to months — boards commissioned, revisions queued, everyone waiting on everyone. Previsto runs it in days, and every pass you didn’t used to afford is another version you get to try.
A short has dozens of shots; an episode has hundreds. You pay for the shots the studio boards, stages, and rolls — the production sets the price, not a license.
One currency — the Previsto Credit. Boards, looks, takes, and the director engine’s own planning all draw from your pre-paid pool. Nothing runs unquoted.
The pool is a hard cap. When it’s spent, the studio pauses and asks — a live meter in the header, every spend on the ledger. There is no surprise bill.
ON THE SLATE · From previz to the production office — see what’s coming →
FIRST PRODUCTION
Not a demo — a working engagement. Your team brings a script; the pool covers a fully directed short film, or complete pre-production on something much larger, with a direct line to the studio throughout.
Pilots from $3,000ONE PRODUCTION · ONE POOL · NO SUBSCRIPTION
Request an invitationA storyboard artist bills $500–1,000 a day. A previz house bills more, and hands you one version. The rate card above is per production, start to finish, in days — with enough room to direct the ten versions you actually wanted to try.